Recent publications

It seems I’ve got a bit of catching up to do …

hot night –
the time it takes the rat
to stop screaming

Sandra Simpson, Fourth, NZPS International Haiku Contest 2019

Judge Greg Piko had this to say about the haiku …‘hot night’ asked: What is happening to this rat in the heat of the night? Perhaps this is a rat we wanted dead. Perhaps we feel sorrow for the rat. Either way, this is a strong haiku that highlights the impermanence of life and makes us think about how lives end. Indeed, it can make us think about how our own life might end.

Two other haiku were also selected for publication in the contest anthology, The Perfect Weight of Blankets at Night, edited by Raewyn Alexander.

Five haiku were selected for New Zealand’s haiku journal Kokako 31, which came out last September. Issue 32 has been delayed by Covid-19 restrictions.

blowing raspberries
on her tummy –
the moon’s curve

Sandra Simpson, Kokako 31

gap in the fence  
I poke my head into
a world of sheep

Sandra Simpson, NOON 16 (2020)

Two haiku were selected for March issue of The Heron’s Nest

spring winds –
the falcon’s eye
black to the core

Sandra Simpson, The Heron’s Nest 22.1

The following haiku was selected by the Golden Triangle Haiku Contest for a signboard that is being displayed in this business district of Washington DC. The theme was nature in the city.

road works –
the billow and sag
of a cobweb in the wind

Sandra Simpson

Martin Lucas Haiku Award judge Matthew Paul selected this haiku for a Highly Commended:

harvest moon –
the kitchen table laid
with pieces of gun

Sandra Simpson

The prizewinners, plus another two of my poems, will appear in Presence 66 which was posted from the UK in mid-March.

The final haiku appears in the online exhibition at the Bristol Museum & Art Gallery, Masters of Japanese Prints: Haiku (it’s about two-thirds of the way through):

summer heat –
his shaved head glistens
in the lamplight

The UK museum put up a selection of its Japanese woodblock prints and asked for haiku written as a response to the art. This one is matched with Lantern Seller by Utagawa Kunisada I (1786-1864). Kudos to Alan Summers and Karen Hoy of Call of the Page for arranging this interesting project.

Putting together these posts, which someone has described as skiting, does let me see that I am achieving something with my chosen art form. It’s all too easy to not write, not publish and not enter contests. I’d rather keep trying even if it does seem like a bit of an effort sometimes!

And to end, a ripple from the past … an email arrived on December 12 from Richard Oswin, a teacher and composer in Christchurch. Richard was asking permission to use The Gift, one of my longer poems, from Poetry Pudding (Raupo, 2007), a collection of poems for children. I had to find my copy of the book to even recall what the poem was – it’s been a long time since I’ve written anything longer than a haiku!

Richard used the poem as lyrics for a piece of music he’d been commissioned to write as a test piece for the  Auckland leg of the national festival The Kids Sing and duly sent me an mp3 file of his composition which features two vocal parts. Although I haven’t heard voices with the music, it seems quite lovely. And the whole thing is quite extraordinary!

Ruminations

Changing calendars is a good time to think about the year gone and the one to come – when I look back over 2014 I feel like I didn’t achieve much with my haiku so it has been good to look through my record of poems that got published.

January: Frogpond (1); Haiku and Humour, a collection by Rangitawa Press (3). March:  A Hundred Gourds (3); The Heron’s Nest (2). April: Kokako (3, no website); Frogpond (1). June: A Hundred Gourds (2); Presence (2); The Heron’s Nest (1). September: A Hundred Gourds (2); The Heron’s Nest (2); Kokako (4). November: New Zealand Poetry Society’s anthology, Take Back Our Sky (2). December: A Hundred Gourds (1); Presence (4, still coming, due date was December) = 33.

January 2015: Speedbump Journal (1) and cattails (2).

Coming up: Modern Haiku (1); A Hundred Gourds (2); Wild Plum (1) with a couple of submissions still out there …

An Honourable Mention in the Betty Drevniok Award (Haiku Canada) was my only contest result, although I was named Poet of the Year and had the Poem of the Year at The Heron’s Nest! (A pretty big honour but I have to note that this was for work published in 2013.) This year I also had a photo selected in The Heron’s Nest illustration contest for the annual anthology.

water rising
to my thighs and beyond –
gamelan music

– Sandra Simpson, from Speedbump Journal

See and hear a Balinese gamelan performance here.

Meanwhile, the final selections have been made for big data, the Red Moon anthology for 2014 (I’m the South Pacific editor). The work of three New Zealanders is included and six Australians from a total of 148 poets.

I intend to try and write more this year and to work my way back through my unpublished folder and do some editing, which will be good for the soul, if nothing else!

Oh, so hot

Where is the rain that keeps being forecast? With all the technology that surrounds weather forecasting now you think they’d be a bit better at it – but every night the rain is shoved back a day or two and the sticky heat continues.

record heat –
a song thrush beats
against the tomato cage

– Sandra Simpson, Daily Haiku, 2011

humid afternoon
the chained dog
doesn’t run out of bark

– Paul MacNeil, Kokako 5, 2006

And just to put me in my place …

it’s summer; then
‘oh, let’s have winter’
some men say

– Uejima Onitsura, from The Penguin Book of Japanese Verse, 1964.