They were sitting in La Barantine in Bruntsfield, at one of the two tables that gave a good view of the passers-by on the pavement directly outside. It was at such an hour of the morning that the sunlight, slicing over the high roof-tops, cast a square of buttery light on their table. Before them were two steaming cups of milky coffee, their foamy surfaces decorated with a delicate fern-leaf pattern. Vuillard or Bonnard might have painted this scene, thought Isabel: the tables, their covers, the display case of delicacies – it was all a tiny island of colour and comfort that would not have been out of place in an intimiste painting: Man and woman in a cafe, morning, perhaps, or Mme Dalhousie prend du cafe avec M. Stevenson. She liked the titles given to paintings; they could be so pithy and poetic, first lines of an incomplete haiku.
– from The Novel Habits of Happiness by Alexander McCall Smith (Abacus, 2016)

winter evening
an unbought brioche
under glass
Jennifer Popolis, The Wonder Code (2017)
early evening rain –
the man at the bar
folds his paper into quarters
Sandra Simpson, The Heron’s Nest 15.3 (2013)
tea ceremony —
it begins & ends
with an empty cup
Stanford M Forrester, The Signature Haiku Anthology (2020)

midday
the coffee turns
to wine
Tom Clausen, The Wonder Code (2017)
river dripping
from both the oars
one last wish
Sharon Pretti, Another Trip Around the Sun (2019)
near evening …
willow shadows return
to the river
Mohsen Farsani, The Wonder Code (2017)