Here we are in the middle of February already and I’m making only my second post for the year. Truth be told, a) it’s been so hot that sitting at a computer has held little attraction and b) I’ve been proof-reading two books which has left me little brain space for thinking about haiku.
The annual Red Moon anthology – a collection of English-language haiku, haibun, sequences and essays published in the previous calendar year – was first off the rank. As you may know, I am also one of the anthology editors (one of 11) so throughout the year am nominating poems and voting for nominations (done blind).
We have a couple of voting rosters at the end of the year to make sure we catch as many poems as possible in the net. The journals that publish on December 1 are okay, but some publish later in the month and if they’re print-only it means hoping they’ll arrive in the letterbox before we cut off.
This year’s volume (for 2015 haiku) is galaxy of dust, as always a terrific collection – and the 20th anniversary publication! Included are 147 poems (haiku and senryu), 16 linked forms (haibun, renku, rengay and sequences), and 4 critical pieces on the reading, writing and study of the genre. Click on the link for ordering information.
Kiwi poets featured in galaxy of dust are Marion Moxham, Elaine Riddell, Sandra Simpson and Barbara Strang; and from Australia Nathalie Buckland, Jo McInerney, Ron Moss, Vanessa Proctor and Jennifer Sutherland. David Terelinck and Hazel Hall (Australia) are two-thirds of a sequence poem, and Els van Leeuwen (Australia) has a haibun included. As the South Pacific editor, I’m always pleased to see a good number of poets from Australasia make it through the voting process.
takes it away
– Marion Moxham (from scattered feathers, the 2015 NZ Poetry Society anthology)
stacking a dry stone wall the curve of tomorrow
– Ron C Moss (from Presence 52)
The volume takes its name from this excellent haiku by James Chessing of California in the US (from The Heron’s Nest 17.2):
it begins …
a galaxy of dust motes
in the projector’s beam
The other book, which took much more time, is the second edition of Juxtapositions, a somewhat scholarly look at haiku and its related genres from The Haiku Foundation – my ‘Snapshots: Haiku and the Great War’ article will be appearing in it! The first edition came out last year (go here to read it) and will shortly be available as print on demand, while volume 2.1 is due out on the THF website shortly.
As well, I’ve had a look over and commented on a very useful piece of work by Katherine Raine on behalf of the NZ Poetry Society, more about that once it’s available.
Yesterday, salvation arrived in the form of a parcel tied up with string – I haven’t had one of those for a long time. It was an anthology of haiku, a gift, from a poet’s widow and something I shall treasure. Already, I’m beginning to sketch a few lines …